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beltzarecords recomienda
THE TWO SIDES OF  (EP PREVIOUSLY UNRELEASED)
  • Referencia: AJX225S
  • Autor: FLEUR DE LYS
  • Titulo: THE TWO SIDES OF (EP PREVIOUSLY UNRELEASED)
  • Sello: ACID JAZZ
  • Año: 6S
  • Formato: 7"
  • Pais: UK
  • Tipo: REEDICION
  • Precio: 10,00 €
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fleur de lys - the two sides of

In a long and varied history, The Fleurs were a prolific backing group for a whole host of American musicians who toured and settled here in the 60s.

Out-and-out mods, they mixed elements of the psych guitar scene with a growing understanding of soul music.

Featured here are a live recording of 'Circles' from 1966, some unreleased acetates (featuring the vocals of Atlantic soul diva Sharon Tandy) as well as their first ever recording and also the track 'Wait For Me', which was produced by Jimmy Page 

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Les Fleur de Lys were a British band originally formed in late 1964, in Southampton, Hampshire, England. They recorded singles beginning in 1965 in the mod-psychedelic music genre, later known as freakbeat. Known for their varied line-ups, only drummer Keith Guster was a member throughout their history. They finally disbanded in 1969. Keyboardist Pete Sears went on to play with Jefferson Starship.

Les Fleur de Lys were managed by Atlantic Records' Frank Fenter, who had also discovered Sharon Tandy, the first white artist to record for Stax Records. Together, they produced a string of near-chart hits which later became collectable discs. They also recorded "Reflections of Charles Brown" under the name "Rupert's People". This single, heavily reminiscent of Procol Harum's "A Whiter Shade of Pale", failed to chart despite receiving airplay but is now considered a collectable item according to Record Collector Magazine (Issue c. 1992).

Jimmy Page produced their first single and co-produced their second release with Glyn Johns. They are featured on Hip Young Guitar Slinger and other reissues of 1960s British rock. A compilation of their work was issued in 1996 under the name Reflections.

They backed John Bromley on his only L.P



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TEENAGE WARNING
  • Referencia: K56717
  • Autor: ANGELIC UPSTARTS
  • Titulo: TEENAGE WARNING
  • Sello: WARNER BROS.
  • Año: 79
  • Formato: LP
  • Pais: UK
  • Tipo: ORIGINAL
  • Precio: 45,00 €
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Angelic Upstarts are an English rock band formed in South Shields in 1977.[1] The punk rock/Oi! band espoused an anti-fascist and socialist working class philosophy, and have been associated with the skinhead subculture. More than two decades after its release, their debut single, "The Murder Of Liddle Towers", was included in Mojo magazine's list of the best punk rock singles of all time.[2]

The original lineup was Thomas Mensforth (Mensi) on vocals, Ray Cowie (Mond) on guitar, Steve Forsten on bass guitar, and Derek "Decca" Wade on drums. The band has reformed and split a few times, and former members include bassists Ronnie Wooden, Glyn Warren, Tony Feedback now in Long Tall Shorty, Ronnie Rocker and Max Splodge (who also had a stint playing drums). Other drummers have included Sticks (who later joined Cockney Rejects), Paul Thompson (ex-Roxy Music) and Chris White. Wade rejoined the band for a few years before leaving again. Hayes originally joined the band as second guitarist until Mond left, leaving Hayes as the only guitarist. Mensi was the only original member still in the band.

In August 2006, Mensi announced he was resigning, however he requested that the band continue with Chris Wright (of the band Crashed Out) on vocals. The band's lineup became Wright on vocals, Dickie Hammond on guitar, Neil Newton on guitar, Gaz Stoker on bass and Wade on drums. In the latter part of 2007, Mensi rejoined the band and the lineup became Mensi on vocals, Stoker on bass, Hammond on guitar, Newton on guitar and Brett Mulvaney on drums.

Studio albums

  • Teenage Warning (August 1979, Warner Bros. Records) - #29 UK[3]
  • We Gotta Get Out of this Place (April 1980, WEA) - #54 UK
  • 2,000,000 Voices (June 1981, Zonophone/EMI) - #32 UK
  • Still from the Heart (1982, Zonophone/EMI)
  • Reason Why (1983, Anagram/Cherry Red)
  • Last Tango in Moscow (1984, Picasso)
  • Power of the Press (1986, Gas)
  • Brighton Bomb (1987, Chameleon)
  • Blood on the Terraces (1987, Link)
  • Bombed Out (1992, Dojo)
  • Sons Of Spartacus (2002, Captain Oi!/Insurgence Records)

Live albums

  • Angelic Upstarts Live (September 1981, Zonophone/EMI) - #27 UK
  • Live in Yugoslavia (1985, Picasso)
  • Live & Loud (1988, Link)
  • Greatest Hits Live (1991, Link)
  • Live in Lubeck 1989 (1994, Bay City)
  • Live from the Justice League (2001, TKO)
  • Anthems Against Scum (2001, Insurgence)

Compilation albums

  • Angel Dust - The Collected Highs (1983, Anagram/Cherry Red)
  • Bootlegs & Rarities (1985, Dojo)
  • Lost & Found (1991, Link)
  • Alternative Chartbusters (1991, AOK)
  • Kids on the Streets (1993, Cleopatra)
  • The Independent Punk Singles Collection (1995, Cherry Red)
  • Rarities (1997, Captain Oi)
  • The EMI Punk Years (1999, Captain Oi)
  • Who Killed Liddle (1999, Recall)
  • Punk Singles Collection (2004, Captain Oi)

Singles

  • "The Murder of Liddle Towers"/"Police Oppression" (1978, Dead Records, re-released on Rough Trade/Small Wonder Records, Repress)
  • "I'm an Upstart"/"Leave Me Alone" (1979, Warner Bros.) - #31 UK
  • "Teenage Warning"/"The Young Ones" (1979, Warner Bros.) - UK #29
  • "Never 'ad Nothin'"/"Nowhere Left to Hide" (1979, Warner Bros.) - UK #52
  • "Out of Control"/"Shotgun Solution" (1980, Warner Bros. Records) - UK #58
  • "We Gotta Get Out of this Place"/"Unsung Heroes" (1980, Warner Bros. Records) - UK #65
  • "Last Night Another Soldier"/"I Wish" (1980, Zonophone/EMI) - UK #51
  • "England"/"Stick's Diary" (1981, Zonophone/EMI)
  • "Kids on the Street"/"The Sun Never Shines" (1981, Zonophone/EMI) - UK #57
  • "I Understand"/"Never Come Back" (1981, Zonophone/EMI)
  • "Different Strokes"/"Different Dub" (1981, Zonophone/EMI)
  • "Never Say Die"/"We Defy You" (1982, Zonophone/EMI)
  • "Woman in Disguise"/"Lust for Glory" (1982, Anagram/Cherry Red) (Also released on 12" single)
  • "Solidarity"/"Five Flew Over..." (1983, Anagram/Cherry Red) (Also released on 12" single)
  • "Not Just a Name"/"The Leech" (1983, Anagram/Cherry Red) (Also released on 12" single?)
  • "Machinegun Kelly"/"There's a Drink in It" (1984, Picasso)
  • "Brighton Bomb" E.P (1985, Sparta Florida/Gas Music Ltd) (12" Single)
  • "Brighton Bomb" (1987, Chameleon)
  • "England's Alive" E.P. (1988, Skunx) (12" Single)  

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SAY LOU-THE GIRL WITH THE FOXY FRAME
  • Referencia: 71627X45
  • Autor: SIL AUSTIN
  • Titulo: SAY LOU-THE GIRL WITH THE FOXY FRAME
  • Sello: MERCURY
  • Año: 6S
  • Formato: 7''
  • Pais: US
  • Tipo: REEDICION
  • Precio: 10,00 €
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SIL AUSTIN - SAY LOU-GIRL WITH THE FOXY FRAME

MERCURY 71627 - SIL AUSTIN - SAY LOU/ GIRL WITH THE FOXY FRAME

- Strong piano rocker a la lord Penniman with boss twang and 88

 

OK, so here's the 2nd BATCH of the blues/R'n'B 7". You're probably in receipt of the first batch by now, and when I say "best" you will now know what I mean if you've listened to them, let's not also forget that they really are incredibly rare & collectable as well. These really are killer titles, all with the original labels and dinked.

They are strictly Limited to 500 copies each



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BEAT BOYS
  • Referencia: CR0019LP
  • Autor: BEAT BOYS
  • Titulo: BEAT BOYS
  • Sello: GROOVIE
  • Año: 68
  • Formato: LP
  • Pais: BR
  • Tipo: REEDICION
  • Precio: 25,00 €
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BEAT BOYS – "Beat Boys" Vinyl LP – (Groovie Records – Cat.no. GROO019LP – No barcode)

Along with Os Mutantes, the Beat Boys represented the most radical element in Brazilian rock: their name, clothes, hair—and intense fuzz guitar raves—were all fierce indicators of a rebel spirit, and this in a dangerous time for such self- expression.

Here is the simple truth: The Beat Boys were at the very epicenter of the cultural revolution that convulsed
Brazil during the late 1960's, that movement of rupture, that bringing together of electricity and avant- garde erudition that has come to be known as "Tropicália."

They backed Caetano Veloso and Gilberto Gil for their defining moments as artists—both live, and in the studio on tracks which became the opening Tropicalist salvo (a rare EP). So, what were this group of Argentine rock musicians doing in the forefront of all things outrageous in Brazil?

More to the point, why is it that very few people, even among the Brazilian music cognoscenti, have ever heard of them? One explanation must be the fact that the band were essentially outsiders to the Brazilian music scene.
As unlikely as it was for them to penetrate the inner circles of Brazilian elite musicians (it was unlikely), it was even more unlikely that they would remain there once their closest friends, Caetano Veloso and Gilberto Gil, were exiled from Brazil.

This disc includes the Beat Boys entire output under their own name: their sole album—an exercise in what one might call "controlled Tropicália", laden with torrid psychedelic moments (released by RCA Victor in 1968), as well as a rare singles track from the same year. A 20- page booklet includes lyrics, and an exploration of the Beat Boys' fascinating story.

"Caetano called the Beat Boys, an Argentinean group settled in São Paulo who had been inspired by the Beatles, to accompany him in ‘Alegria, Alegria.' That, in fact marked the beginning of the Tropicalista thing.'' —Gilberto Gil

beat boys



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PAN SYMPHONY IN E MINOR
  • Referencia: GUESS063
  • Autor: WILLIAM NOWIK
  • Titulo: PAN SYMPHONY IN E MINOR
  • Sello: GUERSSEN
  • Año: 74
  • Formato: LP
  • Pais: SP
  • Tipo: REEDICION
  • Precio: 25,00 €
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One of the newest and most surprising discoveries in the 60's & 70's rock rarities field, this caused big hype among collectors in the last months. Certainly easy to understand, as it's an ace album no one had heard of before.

 

Guitarist William Nowik recorded this obscure instrumental record back in 1974 in the NY area. It has such a deep feeling, nothing anyone could have done without really loving it aside of any commercial view.

 

Psychedelic, progressive, very early Floyd sounding at times, Crimson-esque, and a kind of sound that reminds on the British early 70's underground but with an experimental, trippy touch. 14 tracks in total but played like suites.

 

Seems only 200 copies were pressed and never distributed, so it needed 35 years to be discovered!

 

This wonderful reissue comes with the intended original artwork (it came out in green and black cover instead of the black and white that William wanted), has nice remastered sound and includes an insert with rare unseen photos and extended linernotes.

 

william nowik - pan symphony in e minor a



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