Art Direction, Design – Wendi Traub-Cohen*

Bass – Jimmy Woode (tracks: CD2: 4-14), Milt Hinton (tracks: CD1: 1-7), Ray Brown (tracks: CD1: 8-12; CD2: 1-3)

Booklet Editor – Peter Pullman

Design [Design Coordinated By] – Nichell Delvaille

Drums – Alvin Stoller (tracks: CD1: 8-12; CD2: 1-3), Dave Bailey (tracks: CD1: 1-7), Sam Woodyard (tracks: CD2: 4-14)

Executive-Producer – Richard Seidel

Guitar – Barney Kessel (tracks: CD1: 8, 9, 12; CD2: 1, 3), Herb Ellis (tracks: CD1: 10, 11; CD2: 2), Mundell Lowe (tracks: CD1: 1-7)

Liner Notes – Francis Davis

Mastered By – Gary Mayo

Piano – Billy Strayhorn (tracks: CD2: 4-14), Jimmy Jones (3) (tracks: CD1: 1-7), Oscar Peterson (tracks: CD1: 8-12; CD2: 1-3)

Production Manager [Coordinated By] – Aric Lach Morrison

Research – Ben Young (3)

Saxophone [Alto] – Johnny Hodges (tracks: CD2: 4-14)

Saxophone [Tenor] – Ben Webster (tracks: CD1: 2, 5, 8, 9, 10, 11, 12; CD2: 1, 2, 3, 5, 7, 8, 10, 12, 13), Harold Ashby (tracks: CD1: 1, 3, 4, 6, 7)

Supervised By – Michael Lang (2)

Trombone – Vic Dickenson (tracks: CD2: 5, 7, 8, 10, 12, 13)

Trumpet – Art Farmer (tracks: CD1: 1, 3, 4, 6, 7), Harry Edison (tracks: CD1: 8-12; CD2: 1-3), Roy Eldridge (tracks: CD2: 5, 7, 8, 10, 12, 13)

Written-By – Ben Webster (tracks: CD1: 1-7), Harry Edison (tracks: CD1: 8-12, CD2: 1-3), Johnny Hodges (tracks: CD2: 4-14)

A compilation of tracks from three albums:

"The Soul Of Ben Webster" by Ben Webster (1-01 to 1-07), original LP issue Verve MGVS-8359.

"Gee, Baby, Ain't I Good To You" by Harry Edison (1-08 to 2-03), original LP issue Verve MGV 8211.

"Blues-a-Plenty" by Johnny Hodges (2-04 to 2-14), original LP issue Verve MGVS 6123.

Original recordings produced by Norman Granz.